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Jack Canon's American Destiny

Showing posts with label Deborah Hawkins. Show all posts
Showing posts with label Deborah Hawkins. Show all posts

Wednesday, June 25, 2014

Dance For A Dead Princess by Deborah Hawkins @DeborahHawk3 #Mystery #Romance #AmReading

PROLOGUE
Mid-April 2010, Paris

In the gray spring rain, he stood in the Place d'Alma staring down at the tunnel where she had vanished from his life on the last night of August 1997. He came here whenever he was in Paris. He counted the pillars until he reached number thirteen, the one that had taken her life. Tears formed behind his eyes, as they always did in this place. But he refused to let them overflow. Instead, he took a long breath of fresh rain mixed with the exhaust of cars speeding through the tunnel.

When the big black Mercedes entered its skid that horrible night, his last living link to Deborah had been taken from him. Diana and Deborah, West Heath girls, friends forever. Deborah had been dead since 1994, but he had lost her long before she became his wife, three years after he met her at Diana's wedding to the Prince of Wales in 1981. How many nights had he spent talking to Diana about his marriage, about her marriage, about his guilt over Deborah, and about the impossibility of being in love? Too many to count. He ached to tell her now how empty his life had become without either of them.

He stared down the long, gray tunnel, wondering as always what she had felt as she had slipped away from everyone who loved her. Had she struggled against it, as Deborah had? Or had her torn and broken heart quietly accepted its fate? No, he doubted that. She'd have fought to stay with her boys. Diana hadn't gone into death quietly. That January, she'd had a warning of what was coming. She'd recorded a video tape naming her assassins and had given it to someone in America for safekeeping. But she would never tell him who it was. Too dangerous, she always insisted. If you had it, they'd come after you, too. Leave it alone, Nicholas. The tape is safer out of England.

His phone abruptly interrupted with a text message from his assistant. He was late for a meeting of the Burnham Trust at the Trust's Paris headquarters, and everyone was waiting. Well, they could wait. All day and all night if he wanted. He was the Eighteenth Duke of Burnham and the second richest man in England after the Duke of Westminster, and he'd be late if he decided to be. He hadn't wanted to be a duke but having been forced into the job, he was going to enjoy every possible perk.

As soon as the news of Diana's death reached him, he'd vowed to find her tape and make it public. No luck for the last thirteen years, but his latest operative had just come up with a stellar lead at last. It was so stellar that not only was he pretty sure he was going to find the tape, he was also going to have the opportunity to unload the decaying family seat in Kent and exact his well-deserved revenge upon his father, the Seventeenth Duke.

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Genre – Contemporary Romance, Mystery
Rating – G
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Wednesday, December 18, 2013

Deborah Hawkins – Book Covers @DeborahHawk3

Before your reader can encounter your magical prose, or be swept off his or her feet by your irresistible hero or enchanting heroine, you have to persuade that prospective reader to look inside your book.  And enticing the reader is the job of your book’s cover.   Nothing is more valuable in book marketing than the cover.
Although “don’t judge a book by its cover” has been drilled into us from an early age, we do exactly that when we consider a prospective relationship with works of fiction or non.  This principle came to the forefront recently in a discussion with my Google advertising account representative as I considered an ad campaign with the legendary search engine giant.  I was lamenting my inability to come up with snappy key words to make my proposed ad highly visible to Google searchers when he assured me he could fill that gap without a problem.  But, he asked, what about your book’s cover?  And we both agreed without a great cover all the clever key words in his arsenal would not sell books.
For me, a great cover features the title and author’s name in a legible but interesting font, and displays an image that hints at the book’s topic.  The image is very important for me because I often focus there first before my eye travels to the title and the author’s name.
As a first-time author, I was anxious about finding an artist to create a great cover for Dance For A Dead Princess.  But I was very fortunate.  I found Judy Bullard on a Smashwords list of cover artists and loved the professional quality of her work.
Based upon a short summary of the plot and information about the real world images that inspired the book’s setting, Judy came up with a terrific cover on the first try.  I was delighted and amazed.  Her color scheme of lighter clouds against a darkening sky perfectly conveys the mystery-thriller component of the plot.  She placed Nicholas, the hero, and Taylor, the heroine, on opposite sides with Burnham Abbey and Princess Diana’s tiara in the center between them, showing the reader the dramatic themes that place them in opposing camps throughout much of the story.  I also loved the way the script she used for the title picks up the dainty swirls in Diana’s crown, just above it.   Finally, her attention to detail was impressive.  She contacted me before sending the proof to make sure she had gotten the color of Nicholas and Taylor’s eyes right!
Thanks to Judy’s work, any reader considering Dance For A Dead Princess knows at once the book is a romantic mystery involving royalty and a centuries-old country house.  Then, as soon as the reader scans the first few pages of the Prologue, it becomes clear the royalty is Diana, Princess of Wales, and the country house is Burnham Abbey which Nicholas, the Eighteenth Duke, is determined to destroy until he meets the woman he calls, “that remote star,”  Taylor Collins.
DanceForADeadPrincess
In January 1997, Princess Diana received a phone call telling her she would be assassinated. She recorded the information on a secret video tape, naming her killer and gave it to a trusted friend in America for safekeeping. It has never been found.
Diana’s close friend, Nicholas Carey, the 18th Duke of Burnham and second richest man in England, has vowed to find the tape and expose her killer. After years of searching, he discovers Diana gave the tape to British socialite Mari Cuniff, who died in New York under mysterious circumstances. He believes Wall Street attorney Taylor Collins, the executor of Mari’s estate, has possession of it. He lures Taylor to England by promising to sell his ancestral home in Kent, Burnham Abbey, to one of her clients, a boarding school for American girls. Nicholas has dated actresses and models since the death of his wife, ten years earlier, and has no interest in falling in love again. But he is immediately and unexpectedly overwhelmed with feelings for Taylor at their first meeting.
Taylor, unaware that Diana’s tape is in her long-time friend and client’s estate and nursing her hurt over her broken engagement to a fellow attorney in her firm, brands Nicholas supremely spoiled and selfish. She is in a hurry to finish the sale of the Abbey and return to New York. But while working in the Abbey’s library, Taylor uncovers the diary of Thomas Carey, a knight at the court of Henry VIII and the first Duke of Burnham. As she reads Thomas’ agonizing struggle to save the love of his life and the mother of his child from being forced to become Henry’s mistress, she begins to see Nicholas in a new light as he battles to save his sixteen-year-old ward Lucy, who is desperately unhappy and addicted to cocaine. But just as Taylor’s feelings for Nicholas become clear and at the moment she realizes she is in possession of Diana’s voice from the grave, she learns that Nicholas may be Lucy’s father and responsible for his wife’s death at the Abbey at the time of Lucy’s birth. When Nicholas is arrested for Lucy’s murder and taken to Wandsworth Prison, Taylor sets out to learn the truth about Nicholas, his late wife, and the death of the Princess of Wales.
Dance for A Dead Princess is a the story of two great loves that created and preserved a family that has lasted for five hundred years.
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Genre – Contemporary Romance,Mystery
Rating – G
More details about the author and the book
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Dance for A Dead PrincessDance for A Dead Princess by Deborah Hawkins

My rating: 4 of 5 stars


What did you think of the story structure? I felt that the story was told through the relationship of Nicholas and Taylor. Were their differences a symbolism of the differences that Charles and Diana experienced during their courtship and marriage? Some parts of the story was revealed in chunks. For this story, it was an effective way to share the past with the reader.

What was the central theme of the story? Princess Diana. I have seen and read many things about her life and death but this is the fictional piece which deserves to be recommended. If you don't mind an odd twist or so, then this is a book you must read.

What did you think of the ending? It was an explosive ending, for sure. The author's tone and style is gentle for most of the book. As it gets to the end, a different puzzle emerges and you are left reeling. Did I like this book? More than I can say.

Disclosure - As a Quality Reads Book Club member, I received a free copy of this book from the author via Orangeberry Book Tours in exchange for my honest review.




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