Rachel Thompson

Jack Canon's American Destiny

Wednesday, November 27, 2013

Indiestructible: Inspiring Stories from the Publishing Jungle @MsBessieBell

Tackling the Time Factor

by Jessica Bell

The biggest problem I had with deciding to go indie was the time factor.

With a stressful full-time job as a project manager for the Academic Research & Development department at Education First, it was difficult for me to see how I could possibly work, write, blog, edit, publish, market, run a literary journal, direct a writer’s retreat, and live my life all at once. It doesn’t help that I’m a bit of a stickler. I like to get everything done myself because I have a hard time waiting on others to do things I know I can get done more quickly and efficiently. I outsource if I really have to, but I do enjoy doing the work, such as designing covers, learning new skills and navigating social media. So when I say, DIY, I really mean DIY. Where on Earth, I wondered, would I find the time to be an editor for an educational publisher and literary magazine, an author, a typesetter, a designer, and a marketer? And what about walking the dog? Making dinner? Sleeping? (Forget the laundry. I have months of unfolded washed clothes in a heap on the couch that will soon need to go straight back into the machine from the dog rubbing herself all over them.)

The time factor is a logical fear. But once I finally made the decision to do this on my own, I realized that it wasn’t as daunting as it seemed. Do you know how much more you actually get done when you think something is impossible?

I don’t want to tell you how to schedule your day, but I’m going to give you a run down on how to approach this time management malarkey mentally. The key for me is not to focus on one thing all day. When you do this, you burn out. Your brain starts to lag from the monotony of the same information. You need to mix it up. If you mix it up, you get more done, because your mind is consistently stimulated with fresh information.

Let’s start with the actual writing of your books. Because this is what it all boils down to, yes? But first, I have to say, everyone is different. Everyone writes at different speeds, deals with stress in different ways, has different expectations of themselves. So you need to figure out what you want and works for you.

1. Stop thinking about what other people will think of your work. And write honestly. The first version of my debut novel was written for an audience. It was rejected again and again—for five years. And then, I found a small press who saw something in me and made an effort to get to know me. (Unfortunately that publisher liquidated only six months after its release, but that’s another story which you can read about here.) The publisher said my book was good, but that it felt like she was watching the characters through a window. She said: “Go deeper.” So I dug deeper and dragged the truth from my heart and soul. A truth I was afraid to admit was there. But it resulted in an honest book—a book I didn’t know I had in me. And one I hope women will be able to relate to. It’s glory-less, but real. And real steals hearts. What does this have to do with time management you ask? A lot. When you believe in your work, when you love your work, the words get written faster.

2. Focus on one paragraph at a time. I will never forget Anne Lamott’s advice from Bird by Bird (most accessible and nonsense-less book on writing I’ve ever read): write what you can see through a one-inch frame.

The reason I say this, is because knowing how much you have to revise can sometimes be daunting and overwhelming, and you might try to get through as much as possible and forget to focus your attention on the quality of your work. If you make each paragraph the best it can be before you move on, you won’t have to do any major rewrites (unless there’s a snag in your plot that you’ve overlooked and it’s related to a pertinent turning point). I’m talking revision here, not first draft.

3. Divide your writing time into short bursts. I find that if I give myself only one hour to write every morning before work, sometimes even shorter periods of time (especially when I accidentally sleep in), I’m forced to come up with things I wouldn’t normally think of.

The brain works in mysterious ways when it’s under pressure, and sometimes a little self-inflicted pressure can push you to great heights. Can you believe I wrote the first draft of The Book over a three-day long weekend? I did this because I experimented with the self-inflicted pressure idea. It worked. But be careful not to expect too much from yourself. There is nothing worse than becoming unmotivated due to not reaching personal goals. Which brings me to my fourth point ...

4. To start with, set your goals low. Set goals you know for a fact you can reach. If you set them too high, and continuously fail to meet them, you are going to feel really bad about yourself. This may result in neglecting your goals altogether. I know this from personal experience. If you later realize that you are meeting your goals with ease, gradually make them more challenging. But I strongly urge you to start small. It’s better for you, psychologically, to meet easy goals, than to struggle meeting difficult goals. Not achieving goals is a major hazard for self-esteem, motivation, and creativity.

So what about the rest?

Let’s see. These are the things I continuously have on the go that are not part of my day job or writing books, and I still find time to walk the dog and make dinner (sorry, the washing is still on the couch):

—Vine Leaves Literary Journal (reading submissions, sending rejection/acceptance letters, designing the magazine, promoting the magazine)

—Homeric Writers’ Retreat & Workshop (organizing the event and handling finances)

—Typesetting, designing, and marketing my books (which includes, what seems, a never-ending thread of guest posts and interviews)

—Blogging (including keeping up to speed with my weekly guest feature, The Artist Unleashed)

—Maintaining my online presence (Facebook, Twitter, Goodreads, etc.)

I do all this stuff on top of the day job. On top of my writing. Because I do it all in scheduled, short bursts. I get up early to make sure I have one hour to write and one hour to do something else from the list above. I pick and choose depending on priority. During my lunch break, I blog and spend about half an hour to an hour (depends on how long I can take from work) on social media. After work, I walk the dog, make dinner, maybe go to yoga. Once that’s done, I’ll spend another hour or so doing something else from the list above. Then I have a shower, relax in front of the TV, or do something else away from the computer before I go to bed. Then in bed, I’ll read a chapter or two of the book on my bedside table. Reading to me is relaxing and not a chore.

So what have I accomplished in this average day of mine?

Here’s an example:

—My job (at least 7 hours worth)

—500-1000 words on my WIP

—I read 30 Vine Leaves submissions and sent a few responses, maybe even set up a classified ad on NewPages.com.

—I wrote/scheduled a blog post, commented on other blogs.

—I connected with everyone I wanted to online. I may have worked on my latest book cover for a bit.

—I made dinner.

—I walked the dog.

—I relaxed.

—Look ... I’ll deal with those clothes tomorrow, okay?

I know people with kids who have just as much, and more, on their plate, and they’re still finding the time to self-publish. You can too.

My point is, it can all be done. And it doesn’t have to freak you out, or overwhelm you. Just pace yourself. And if you don’t have a full-time job like me, imagine how much more you can get done.

Nothing is impossible if you put your mind to it.

Nothing is impossible if you truly want it.

Nothing is impossible. Full stop.

Bio:

If Jessica Bell could choose only one creative mentor, she’d give the role to Euterpe, the Greek muse of music and lyrics. This is not only because she currently resides in Athens, Greece, but because of her life as a thirty-something Australian-native contemporary fiction author, poet and singer/songwriter/guitarist, whose literary inspiration often stems from songs she’s written.

In addition to her novels, poetry collections, (one of which was nominated for the Goodreads Choice Awards in 2012), and her Writing in a Nutshell series, she has published a variety of works in online and print literary journals and anthologies, including Australia’s Cordite Review, and the anthologies 100 STORIES FOR QUEENSLAND and FROM STAGE DOOR SHADOWS, both released through Australia’s, eMergent Publishing.

Jessica is the Co-Publishing Editor of Vine Leaves Literary Journal and annually runs the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca. She makes a living as a writer/editor for English Language Teaching Publishers worldwide, such as Pearson Education, HarperCollins, MacMillan Education, Education First and Cengage Learning.

Keep an eye out for her forthcoming novel, BITTER LIKE ORANGE PEEL, slated for release, November 1, 2013.

indiestructible

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Genre –  Non-fiction

Rating – G

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Blog http://thealliterativeallomorph.blogspot.com/

Tuesday, November 26, 2013

Breathing for Two by Wolf Pascoe @WolfPascoe

ONE
BREATHING LESSONS
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IN the freshman year of my anesthesia residency, I was given a lesson in breathing by a patient whom I’ll call Otto. Anesthesia residencies come replete with breathing lessons, but Otto was also teaching humility that day, a subject absent from the formal anesthesia curriculum.
A doctor gets humility not from curricula but from his patients. I acquired a truckload of humility the day I met Otto, and the truck has only gotten larger since.
Otto was undergoing a cystoscopy, a look inside the bladder performed by passing a thin viewing scope through the urethra. There is no incision in such a procedure.
Generally, you don’t need anything fancy to support a patient’s breathing while giving anesthesia during a cystoscopy. As the patient passes from wakefulness into unconsciousness you can let him continue to breathe for himself.
In Otto’s case, I strapped a rubber anesthesia mask over his mouth and nose to make an airtight seal against his skin, and delivered through the mask an appropriate combination of oxygen and anesthetic gas. In principle, what I did was essentially what the Boston dentist, William Thomas Green Morton, had done during the first public demonstration of ether anesthesia in 1846.
The modern anesthesia face mask is a hollow cone of rubber or plastic. It’s like the oxygen mask that drops down from above a passenger’s head on an airplane, though it’s more substantially built. The base is malleable and cushioned by a ring of air, a sort of inner tube. The mask is shaped to fit around the nose and mouth; with a bit of pressure, it seals against the skin. The top of the mask connects to a source of anesthetic vapor and oxygen.
Readers of a certain age may remember the TV series, Marcus Welby, M.D., which began each week with Dr. Welby lowering a black anesthesia mask down over the camera lens. In those days, apparently, the family doctor did everything.
The anesthesia machine—the “cascade of glass columns, porcelain knobs and metal conduits” I described previously—is the gas delivery system. The machine connects to an oxygen tank and directs the flow of oxygen from the tank through a vaporizer where the oxygen mixes with anesthesia gas. The mixture passes out of the machine through plastic tubing (“anesthesia hose”) that connects to the face mask.
The patient breathes the mixture.
Gas leaving the anesthesia machine actually flows through the anesthesia tubing in a circle—in fact it’s called the circle system. One limb of the circle travels from the machine to the anesthesia mask, where the patient inhales it. The other limb, carrying exhaled gas, travels from the mask back to the machine, where excess carbon dioxide from the patient is filtered out. The filtered gas is mixed with fresh gas and travels back to the patient.
The same gases, minus the carbon dioxide, keep going round and round. The system is airtight, except for a pop-off valve that relieves excess pressure.
Otto was a large man with a thickly muscled neck, but by extending his head I could keep his airway clear, allowing him to continue breathing while the urologist worked. Instead of using an anesthesia mask to deliver my mix of gases, I could have assured Otto’s airway by using an endotracheal tube. This is a long breathing tube (about a centimeter in diameter) inserted through the mouth all the way into the trachea.
But getting an endotracheal tube in isn’t always easy, and it’s usually not necessary during a cystoscopy. Most often an anesthesia mask will do.
One side effect of anesthesia is the loss of normal muscle tone. This happened to Otto. A few minutes into the case, his flaccid tongue fell back in his throat. His diaphragm continued to contract, but air couldn’t get through to the lungs—his airway was obstructed. Otto was, of course, completely unconscious at this point.
Everyone loses some muscle tone during sleep—this is the cause of snoring, and of the more serious condition of sleep apnea. But the loss of tone is even greater under anesthesia, and the anesthetized patient cannot rouse herself to find a better breathing position.
I managed the problem by putting a short plastic tube called an airway into Otto’s mouth. The airway depressed the tongue and cleared a passage for air. It wasn’t as good as an endotracheal tube, which would have extended all the way into Otto’s trachea, but it seemed to do the trick.
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Genre – Non-fiction / Memoir
Rating – G
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Monday, November 25, 2013

#AmReading - The Ice Princess by Camilla Läckberg @camillalackberg

The Ice Princess by Camilla Läckberg

Amazon

In this electrifying tale of suspense from an international crime-writing sensation, a grisly death exposes the dark heart of a Scandinavian seaside village. Erica Falck returns to her tiny, remote hometown of Fjällbacka, Sweden, after her parents’ deaths only to encounter another tragedy: the suicide of her childhood best friend, Alex. It’s Erica herself who finds Alex’s body—suspended in a bathtub of frozen water, her wrists slashed. Erica is bewildered: Why would a beautiful woman who had it all take her own life? Teaming up with police detective Patrik Hedström, Erica begins to uncover shocking events from Alex’s childhood. As one horrifying fact after another comes to light, Erica and Patrik’s curiosity gives way to obsession—and their flirtation grows into uncontrollable attraction. But it’s not long before one thing becomes very clear: a deadly secret is at stake, and there’s someone out there who will do anything—even commit murder—to protect it.

Sunday, November 24, 2013

The Howling Heart by April Bostic

* * * *

Three days after my father’s funeral, I landed at the airport in Denver. I rented a Jeep Wrangler, because I needed a four-wheel-drive vehicle to get up the mountain. The July weather was mild, so I wore khaki shorts, a plain white tee, and beige Vans sneakers.

One of the odd things about finding our cabin was you had to find the nearby town first. I remembered we got lost during our vacation, which caused an argument between my parents. Finding the road that led to the town was tricky, because there was only one accessible by vehicle, and there was no road sign. My father knew how to get there, because the person who sold him the cabin gave him a landmark. Luckily, he passed that information onto me during one of our conversations. Once you found the road, the town was so small that if you blinked, you’d drive right by it. When my mother said it was remote, she wasn’t being facetious.

I drove on the interstate for over an hour before I realized I missed my turn. I had to find a tree shaped like a wishbone—it was struck by lightning — but all the trees looked alike to me. It took another half-hour for me to turn around and make another attempt.

I found my landmark, but a tangle of fallen branches blocked the entrance. My hands gripped the steering wheel. I knew I was in for a bumpy ride. I floored the accelerator, and the Jeep broke through the roadblock. The road was narrow, and the terrain was rough. Whoever constructed it didn’t want people to travel on it. I screamed when tree branches appeared out of nowhere and banged against the windshield. The forest surrounded me on both sides, and I wondered if I’d ever reach the town.

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Genre – Paranormal Romance

Rating – Adult

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Website http://www.aprilbostic.com/

Friday, November 22, 2013

Joyfully Yours by Amy Lamont @Amy_Lamont

Chapter One

Faith Leary had kicked off the holiday season the same way every year since she’d reached adulthood—standing in the express checkout line at Carlucci’s Market the day before Thanksgiving. 'Cause nothing said “Happy Holidays” better than a dented can of cranberry sauce. 

Though this year was a little different. She’d made a major score. Only one of the two cans of cranberry sauce she held was dented. Her mother would have only half as much to complain about. 

And speaking of things to complain about…she tapped out a sharp beat with her toe on the dingy linoleum floor. She stretched up onto her toes and leaned sideways in an attempt to see around the man in front of her. The customer at the register pulled out a wad of coupons and Faith bit back a groan. With a quick huff to blow the fringe of bangs out of her eyes, she shuffled both cans of cranberry sauce into one hand and dug into her over-sized bag with the other. She stirred through the debris living in the bottom of her purse until her fingers wrapped around her phone. 

The line didn’t move an inch. 

Faith checked the time. 2:10. She’d promised Mrs. Marshall she’d arrive no later than 2:30. If she didn’t make it, she’d have to wait until after the Thanksgiving weekend to get paid for walking Mrs. Marshall’s ancient Lhasa Apsos. She had a few bills to pay, and in another week her rent was due. Her negative bank balance meant she couldn’t afford to hold off on getting her paycheck. 

That’s what you get for waiting until the day before Thanksgiving to buy cranberry sauce. Honestly, Faith. She cringed and almost turned to see if her mother stood behind her in the grocery line. She stopped at the last minute. That voice was all in her head. 

Decisions, decisions.  Stay in line and miss any chance of making rent on time this month or put down her only contribution to Thanksgiving dinner and risk her mother’s anger? Eviction was the worst that could happen if she paid her rent late. And that was a lengthy process. Her landlord worked with her in the past. Maybe he’d do it again. 

There would be no working things out with her mother. For the rest of her life she’d hear about the Thanksgiving she’d completely ruined by waiting until the last minute to get cranberries. Sighing again, Faith dialed Mrs. Marshall and told her she wouldn’t make it. 

Faith checked her phone again when she reached the head of the checkout line. 2:20. Was it possible only fifteen minutes passed? 

“That’s $3.58,” the cashier said around a huge gob of gum. 

Faith once again plumbed the depths of her bag, this time in search of her wallet. Opening it, she found two crumpled dollar bills. Wasn’t there a five in there yesterday?

Oh, wait. She gave it to the bartender when she bought a Coke at the place her band played last night. What remained in her wallet was the change he gave her. She offered the cashier a weak smile as she dived back into her bag. Surely she’d stuck a few singles in a pocket here or there. 

Dragging her fingers across the crumb-coated bottom, they closed around some change. Snatching it up, she counted out seventy-two cents. 

She squinted at the price glowing green on top of the cash register, mentally cursing any store for having a cash only line in this day and age. “How much is it again?” 

“$3.58,” the cashier repeated in a bored tone. 

Faith went in once more, this time coming up empty-handed. She pulled items out, piling her sunglasses, lip gloss, tissues, and a half-eaten Hershey bar on the conveyor belt. The toe of the man in line behind her started tapping and she ground her back teeth together. 

“Let me get that for you.” 

Faith turned toward the end of the checkout lane.  A pair of sky blue eyes met hers, their color enhanced by the dark hair dipping over his forehead. He offered her a friendly grin and her lips curled in response. Her gaze drifted down, admiring his strong jaw and then roaming even lower…locking on the spot under his chin. 

She blinked once, then again. The vision in front of her didn’t change. His black shirt and white tab collar were still there. 

Holy crap. How fast does a person get sent to hell for checking out a priest?

Faith turned back to the cashier and forced down all thoughts of what she had almost done. She had absolutely not been about to start batting her eyelashes at a priest. Nope, not her. 

At least there was one good thing about all this—with a priest bearing witness to this whole mess, the people behind her would probably refrain from showering her with stinging insults and settle for dirty looks. 

Faith dug in her purse again, avoiding eye contact with the priest. “Thanks, but it’s okay. I’m sure I have–” 

“Lady,” the man waiting in line behind her said, “take the money so the rest of us have a chance to make it home before Thanksgiving.” 

Faith’s shoulders dropped and she turned to the priest. “I can pay you back.” 

“Don’t worry about it. Consider it my good deed for the day.” He flashed another grin that made her want to melt into a puddle at his feet. You know, before she remembered the whole priest thing. He handed her the two dollars and she paid for her cranberries and stuffed her belongings back in her purse.

She turned back towards the priest to offer her thanks, but he’d already disappeared. 

She grabbed her bag and hurried outside before the other patrons had a chance to grab their torches and pitchforks.

Holidays sure did seem to bring out the best in people. 

Joyfully Yours

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Genre - Contemporary Holiday Romance

Rating – PG

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Website http://amylamont.com

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Onio by Linell Jeppsen @nelj8

Chapter 4

For four days, Mel drifted in and out of consciousness. When she was able to swim up from the tendrils of death that held her, she dreamed vivid and horrifying dreams.

Once, she sat up with a start and saw a scene from Dante’s Inferno. She saw a huge hairy man being flogged by a branchless tree trunk. The tree was very large and the branches on it had been cut crudely so that long splinters sprouted from its surface like jagged teeth. The man was held in place by long ropes of vine that were hung from stalactites so that his feet barely touched the floor. He was screaming while others of his kind either cheered in triumph or wept with sympathy.

Another time Mel awoke in a hospital room with nurses all around her. She felt like she was in familiar territory, but wondered how she had changed places with her mother. Her mom held her wrist in one large hand and peered into her eyes with concern.

“Mama…,” she croaked, and drew back in alarm when her mother’s face disappeared. Now she was surrounded by monsters. Their giant hairy faces leered down at her. Their mouths sang an eerie chorus Mel couldn’t hear, but understood. The hospital room dissolved into a small cave and her crisp, white sheets were replaced by a scruffy fur blanket. She shrugged it off, screaming, before succumbing to the healing darkness once again.

Finally Mel awoke to voices. She felt a little better and her head no longer felt like it might explode. She looked over to the far side of the cave and saw Onio being tended to by the old sasquatch female. He looked pale and shaken. The old one, whose name was Rain, rubbed some sort of ointment on Onio’s back. Although their lips didn’t move, they were talking. Mel closed her eyes and listened.

“Onio, what he did was just,” she murmured.

“Just!” Onio snarled. “The test is designed to punish the worst criminals…murderers, and rapines! What I did was not even a crime! Why did he bring his grandson, who would be king, to his knees?”

Mel peeked at the two sasquatches through her eyelashes. She saw that Onio’s head was bowed and that his shoulders heaved with sobs. Rain stood some distance away and wiped her hands clean with a rag. She regarded her grandson with an eyebrow raised in equal parts exasperation and love.

She brought Onio a mug of something to drink and Mel’s throat ached with thirst. She watched as he set the mug down, staring at the floor in anger. Rain sat next to him on the shelf of rock that served as a bed.

“Onio, what you did was akin to murder. I know you know this, because I have taught you these things myself!” She placed a hand on the male’s thigh. “I will teach it again, Grandson,” she continued. “Maybe this time you will listen and truly understand.”

Rain slapped the young sasquatch sharply and stood up. Onio hunched his shoulders at the reprimand, glaring at his own toes.

“The small humans have small brains, Grandson. Also, their brains work differently than ours. We are intuitive, telepathic and sensitive to the ways of nature and the planet around us. They are none of these things, but they are creatures of intellect. Look at the marvelous machines they construct, the technology they have invented! In many ways their workings are like magic to us. Just as, I think, our ways are magical to them.” Rain sighed.

“That is why we hide from them, Onio. They are a covetous race, and would take from us, by any means necessary, that which they desire. For many generations the humans have tried to unlock the mysteries of our brains. They want to know how to use the soul song, and would steal it from us if they could. Many times they have tried…this you know, first-hand!”

Tears were dripping out of Onio’s eyes and falling to the floor. He murmured, “I am sorry, Grandmother. I wasn’t thinking properly.”

Mel saw the old female smile as she fussed with some things in a bag, then walked over to cook something on a fire set in the middle of the floor.

“Now, finally, First Son admits to not thinking before acting.” Although the sasquatches lips didn’t move, Mel could hear the sarcasm dripping from Rain’s voice, as the smell of meat cooking filled the air.

“Onio, listen and hear my words.” Rain’s voice was urgent. “There are as many reasons as birds in the sky why we do not co-mingle with the little humans. Most importantly, they will hunt us down and kill us for the gifts we possess. They would experiment on us and dissect our brains, and all for nothing! Even if they knew how to extract our abilities, their brains do not have the means, or the capacity, for soul song. It is called neural pathways…or some such. I have forgotten the exact words.” Now she glared at her grandson again. “We think that this little human will survive what you did to her, Onio.”

Mel slammed her eyes shut as she saw the big male glance her way. Guilt was written all over his face.

“You were lucky, I think, that this creature survived at all. Your gift opened pathways in her brain…neural connections most humans are not equipped to deal with, or understand. We believe that the only reason the girl hasn’t died is because her ear canals are damaged. Our gifts are sense, rather than thought, oriented. Hearing is a sense, so her brain was able to withstand the new impulses. She is very ill, though, and will be frail for a long while to come. She may not survive the change…someday her brain might break from the strain you yourself put on it!”

Mel saw Onio put his hands over his face and shudder. “Oh Grandmother,” he moaned. “Truly, I did not think to kill this little human…I did not think at all!”

Rain nodded, filled a wooden bowl with meat, and handed it to him. She glanced over at Mel and sat down next to Onio again.

“You are young yet, Onio, and perhaps foolish, but you will be a fine leader someday. To lead well, though, you must learn to listen to the world around you. Drak, your uncle, is also a fine man, but he suffers from jealousy. He never thought that you would be declared king after Bouldar is gone…not with the small human blood that flows in your veins. That he himself told you this only serves to prove that he hasn’t the wisdom to lead the tribe.”

She chuckled. “There is a thing the small humans call irony. It took me many, many years of study to understand this concept, but I find it ironic that the very thing Drak used to wound you with actually ensures your ascension to the seat of leadership.”

She stood again and moved around behind Onio to apply more salve to his wounded back. “My husband believes that the human soldiers are renewing their efforts to find us, and hunt us down. He believes that these soldiers want to use the soul song as some sort of weapon. They are a warrior species who will use even the most benign gift as a tool for destruction!” The old female apparently forgot to be gentle in her application of the medicine on his wounds. Onio winced with pain.

“He thinks that the tribe needs a leader who can both sympathize with and out-maneuver the humans who want to conquer us. The blood in your veins has made you smarter than the rest of us…especially Drak. You still possess the tribe’s gifts, like telepathy and camouflage, but your intellect will be the thing that can save the tribe from the small humans’ greed.” She gave her grandson’s shoulders a shake, not caring that he cried out in pain.

“That leader will be you, Grandson!” she shouted. “But only if this little human woman survives and you learn to think before you act!”

Rain’s voice was pensive when she spoke again. “Before Bouldar became my husband he was much like you; curious and compelled to seek out the small humans’ company, despite the risks.” She threw her arms up with a growl of rage.

Onio revised (2)

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Genre – Fantasy/Romance

Rating – PG13

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Website http://neljeppsen.weebly.com/

Thursday, November 21, 2013

#Bargain Post-Human by David Simpson @PostHuman09

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PROMOTION: Now you can switch back and forth between reading the Kindle book and listening to the Audible audiobook. Add the professional narration of Sub-Human (Book 1) for a reduced price of $2.99 after you buy the Kindle book of Sub-Human. Listen to Sub-Human Chapter 3's sample here goo.gl/kdxS8i. Also, Post-Human (Book 2), Trans-Human (Book 3) and Human Plus(Book 4) are all $0.99 each for a LIMITED TIME as well!
And their audiobooks are coming soon!

Age Range: 12 years and up

The future should have been perfect. Microscopic robots known as nans could repair any damage to your body, keep you young by resetting your cellular clocks, and allow you to download upgrades like intelligence, muscle strength, and eyesight. You were supposed to be able to have anything you wanted with a simple thought, to be able to fly without the aid of a machine, to be able to live forever. But when a small group of five terraformers working on Venus return to Earth, they discover that every other human in the solar system has been gruesomely murdered. Now, James Keats and his four companions must discover what happened to the rest of humanity and fight back if they wish to avoid the same, horrifying fate. Welcome to the post-human era.

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Genre - Science Fiction

Rating – PG

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