Rachel Thompson

Jack Canon's American Destiny

Friday, September 6, 2013

What Lies Inside–J.L. Myers

What Lies Inside – J.L. Myers

Amazon Kindle US

Amazon Kindle UK

Genre – YA, Paranormal Romance

Rating – PG13

4.5 (4 reviews)

Free until 7 September 2013

Amelia Lamont never asked to unleash her inner vampire
Amelia’s normal teen world is shattered when a terrifying nightmare awakens the monster inside her. A newfound, insatiable thirst for blood that leads her to drain the school quarterback is only the beginning; she’s horrified to discover that her family and best friend Kendrick have been harboring the secret all along. And is the strangely alluring boy who seems hell-bent on curbing her murderous, blood-filled desires a friend, or foe?
To escape detection Amelia and her twin brother Dorian are forced to move to a new town, and the challenge of a new, exclusive high school where nearly every classmate smells like prey. Including the irresistible Ty, who seems hauntingly familiar, yet darkly menacing …
Amelia’s disturbing dreams and entanglement in a web of forbidden romance render her increasingly powerless against the chilling lies and secrets of vampire power struggles. And, as she soon discovers, vampire politics mixed with outlawed love can be a lethal cocktail.
Falling in love may just cost Amelia everything: her friends, her family...even her life

muted by Jessica Bell

Concetta depresses

an aluminum slat

of blind

with her forefinger and

gazes into the street,

numb to the snap

of solitude.

Bare feet pass

by her shoebox window

broken, at eye-level,

thriving on nude routine.

She stifles a yawn

and clicks her tongue

in the rear of her cheek

to deactivate

the alarm chip

embedded

into her cochlea,

illegally programmed

with thirty seconds

of her own voice.

The voice she had

before being sentenced

to a life

of silence

..............for wearing clothes

..........................and singing

a cappella

in an ‘instrumental zone.’

She wasn’t

even busking

that day,

but on route to

an interview

to be the Queen’s

personal music box.

The Queen

is a man

with five fingers and toes.

Newborns only have four.

She swallows

a build-up

of thyme-flavoured saliva

from the tea she drinks

to soothe her throat

and buckles

in pain.

The immune

assistants strapped her to

a chair, forced

her mouth

open

and slashed

her vocal chords.

Surgically

perforated

her eardrums.

The taste of toxic sweat

still lingers on her gums

even more than the memory

of torturers’ penises

rubbing against

her blindfolded face

and ejaculating

into her wounds.

Now

all she hears

is the numb rush

of water in her ears ...

fit to drown

in,

sink

in,

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Genre – Cyberpunk / Dystopian / Short Story in Verse

Rating – PG13

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Website http://www.jessicabellauthor.com/

Thursday, September 5, 2013

J.L.Lawson – What Inspired Me to Write My Book

What Inspired Me to Write My Book

By: J. L. Lawson

This is a question near and dear to my heart for which I think I can offer some clear understanding in response. Over the last couple decades I have been part of an on-going experiment: Can an Objective Path to awakening produce in an individual the properties and functions of higher centers (those which are responsible for Objective Self-Knowledge and Objective Reason)?

The path I speak of involves the removing of all non-verifiable data and emotions cluttering one’s being. In other words, scrapping everything acquired through blind belief, old wives’ tales, the plethora of “they say”, snippets to volumes of information un-vetted and unsubstantiated which through laziness or convenience has populated one’s mind and heart. At the same time carefully building up a verifiable structure of mentation, an inner construction which allows for the assimilation of verified data and verifiable information about oneself and the real world in which one finds oneself.

This two-fold endeavor has yielded, for me personally, a far more impartial perspective both of my far less cluttered inner world, as well as clearer perceptions of what is transpiring in our outer world—that place where we all must have our daily existence.

So, with our terminology clarified, how to weave such an understanding into a narrative form accessible to others? I chose the medium of metaphor and allegory—those forms which throughout the history of our species have stood the test of time for conveying the deeper meanings of our existence. I began with a simple premise:

“What if there were lineages of highly conscious individuals from the most ancient of times and emergent into the present day?”

That question, for me, would allow for a presentation both: of what would be the properties and functions of a person with higher consciousness, and also how a regular person could come to such a condition for themselves. It is the latter which, through my protagonists’ interactions with others, could become an accessible path for everyone wishing to gain what they may think they already possess, but clearly do not.

It was the follow-up questions, “What would their world be like?” even more importantly, “What would our world be like—the one which we think we know?” that forced me to begin where I did—in the past—and bring the story through the subtly changed present and into a transformed future. Hence the term coined by J. W. Campbell regarding Mr. Heinlein’s epic works: “Future Histories.”

Future History, then, according the sense in which I am compelled to use it, means the results of the aforementioned premise to have been realized in practice, extrapolated into real-time for a new view of man’s relationship to, and place within the greater world—even up to the Type III Civilization as envisioned by Kardashev. That lofty arena of such an accomplishment is one which we as residents of the present Earth are no where near even the farthest horizons. Understandably.

While our societies, to some extent, and most definitely our technologies have evolved exponentially over the last few millennia, the individual, and resultant collective, evolution of our inner worlds haven’t moved forward even the barest distance by comparison. It is the individual who must perforce begin the personal change. Only then will our collective inner revolution gain the necessary traction to propel us in the directions of the ideals set forth in the allegorical Future Histories as presented in the Donkey and the Wall trilogy and The Curious Voyages of the Anna Virginia Saga.

An Honest Man

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Genre - Metaphysical/Fantasy/Action Adventure

Rating – G

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Website http://voyagerpress.org/

Weigh Anchor

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Genre - Science Fiction/Metaphysical/Adventure

Rating – G

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Website http://voyagerpress.org/

The Elf & Huntress

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Genre - Science Fiction/Metaphysical/Adventure

Rating – G

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Website http://voyagerpress.org/

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A Beautiful Glittering Lie by JDR Hawkins

As dusk approached the following day, Bud, Mr. Kimball, and Jake bid their farewells and went their separate ways, splitting off down a frozen dirt road. Hiram and his son continued on until they finally arrived home. Relieved that he was back with his family, David volunteered to unsaddle their mounts, while Hiram went inside their wood-slat dogtrot house. As David led the two horses into the tin-roofed barn, his yearling colt whinnied a greeting to him.

“Hey, Renegade,” he called out to the colt, who snorted in response, stomping a forefoot.

The yearling was his pride and joy, the offspring of Hiram’s stallion. Renegade was piebald, a dark chestnut highlighted with white patches spanning under his belly, and white socks reaching up to his knobby knees. His mane and tail were light flaxen, and his uniquely colored eyes were hazel, the same color as David’s.

Whistling the “Bonnie Blue Flag” while he removed the horses’ saddles, David curried his father’s grand stallion, Cotaco, named after a famous Indian chief who had lived in their parts long before the Trail of Tears took place. It was also the name of a creek that ran through the back end of their property. The stallion had been gifted to Hiram by an Indian acquaintance in Texas, and was a magnificent mustang, covered with brown and white splotches that transformed, if David used his imagination, into faces of people and animals. To him, Cotaco was all-knowing, and a sly devil at that. It was he who had bred with the neighbor’s prize thoroughbred mare, thus creating Renegade. The owner, Mr. Collier, insisted that David’s father purchase the foal, or “mistake” as he called him, so Hiram was obliged. He gave Renegade to David, letting him choose a name, and was teaching him how to gently break the colt.

Because Renegade was still too young to ride, David’s current mount was a Standardbred mare named Sally, and she was a fine animal as well. Not as special as Cotaco, but pretty, just the same. She actually belonged to his mother, who allowed him to borrow the mare when the need arose. Sally’s shiny brownish-black coat glistened with sweat from where the saddle on her back had been positioned, so he gently rubbed her down. He gave the horses their oats, stroked Renegade’s muzzle, and went inside, where he found his family gathered around the rough-hewn pine table that his father had constructed.

“And ole Jeff Davis said somethin’ about bein’ ready by recruitin’ an army,” Hiram was saying. His mother and sisters looked over at David as he entered.

“Come sit down and eat your vittles before they git cold,” his mother instructed, motioning him toward her with a swoop of one hand while she brushed a stray strand of dark brown hair away from her face with the other.

David took his seat. He folded his hands, quickly gave thanks in silence, clutched the fork in his left hand, and started shoveling in grits.

His mother shook her head. “Worked up an appetite, did you?” she remarked.

Josie, his youngest sister, laughed. “There’s a whole potful out in the kitchen Ma made jist for you!”

David grinned, exposing grit-covered teeth.

“Ew!” Josie squealed.

“David, you mind your manners,” his mother scolded.

“Beggin’ your pardon, Ma,” he mumbled through his grits.

“As I was sayin’, Caroline,” his father continued, “the president sounds like he means business. He ain’t takin’ no muck off the Yankees.”

“Hiram!” she exclaimed. “I’ll not have you talkin’ like that at the dinner table.”

He chuckled, but suddenly became somber. “We’re in for a fight, all right,” he declared. “So we’d best hold on tight.”

“I’m all for the fight!” David hollered.

His sister Rena glared at him. “You’re fixin’ to go fight the Yankees? Did Pa say you could?”

“No, I did not,” Hiram responded. “I said I’d discuss it with your ma.”

“I’ll have none of it,” Caroline announced, rising as she took up empty plates. “You’re much too young to go gallivantin’ off to chase Yankees.”

“But Ma!” David protested.

“That’s all I’m sayin’ on the subject,” Caroline firmly stated, and she walked out of the room.

David glared at the doorway through which she had just exited. “It ain’t fair,” he muttered, shoveling a piece of ham into his mouth.

“You don’t know that there will be a fight, anyhow,” said Josie.

With a frown, Hiram solemnly remarked, “For the good Lord’s sake, I hope there won’t be.”

Several weeks went by. The air grew more static with anticipation. David and his father traveled to the nearby mercantile one afternoon in mid-March. As soon as they entered, they were absorbed into a debate.

“Governor Moore has authorized establishin’ an army in Alabama,” said Mr. Skidmore, a local resident who was standing near the wood-burning stove in the center of the store with several others. “He’s called for two thousand troops to garrison the coasts.”

“Well, now that Lincoln has been sworn in,” said Mr. Banes, a finely dressed man about the same age as David’s father, “it’ll really git the ball rollin’.”

“I hear tell that the Spotsworth Apothecary up in Huntsville is flyin’ the Stars and Bars now. The first merchant to do it, they say,” Joseph Ryan informed the group.

Ben Johnson, the shopkeeper, put his two cents-worth in by informing the crowd, while he dusted, that during the Secession Convention in February, the Republic of Alabama flag was severely damaged by a storm, so it was moved to the governor’s office, and he hoped it wasn’t a bad omen. Because the flag had flown just once, he had only seen a drawing of it in a local publication: the Goddess of Liberty was on one side, holding an unsheathed sword in her right hand and a flag with one star in the other. The words “Independent Now and Forever” were arched above her head. On the other side was a cotton plant with a coiled rattlesnake. Beneath the plant, in Latin words, it read, “Noli Me Tangere,” or “Touch Me Not.”

Kit Lawrence, a childhood friend of David’s father, protested. “We should support the Union by not takin’ up arms,” he growled.

“Why in God’s name would we support the Yankees,” said Mr. Skidmore, “when all they want is to take away our livelihoods and privileges?”

“I’m supportin’ the state, and the majority has voted for secession, so it’s our duty to protect her!” ranted Mr. Copeland. David had been friends with his daughter, Callie, ever since they started school together nine years ago.

“Now that there’s a call out for troops, we’d best be thinkin’ about signin’ up,” said Mr. Powell, a lanky, fine-boned gentleman.

“This war won’t go on for long, anyway,” remarked Mr. Garrison, another neighbor, who lived in nearby Arab. “Why, I’ll be amazed if it lasts more than ninety days.”

“We should all sign up now, put those Yankees in their place, and git on back home before harvest,” said Bud.

Mr. Foreman looked up from the newspaper he had draped over the countertop. “It says here that on the twenty-seventh of last month, Russian troops in Warsaw shot five people who were protestin’ Poland’s rule.” He shook his head slowly. “It’s as though the whole world is ablaze with violence.”

“Well, I’m fixin’ to enlist, so I can put this fire out before it gits any worse!” exclaimed Billy Ryan, who was Joseph’s cousin.

“Those damn Yankee nigger lovers will pay dearly!” proclaimed Mr. Copeland.

The gentlemen agreed boisterously by hollering, “Here! Here!”

David glanced around at the gathering, taking it all in, and wished Jake was there to witness it.

“I’m fixin’ to enlist, too,” announced Bud.

Hiram glared at him. “This is the first I’ve heard of it,” he said concernedly.

Bud nodded. “It’s what’s required of us, and I, for one, am a patriot’s son.” He grinned. “Well, grandson, anyhow. This is our war for independence.”

Frowning, Hiram patted David’s shoulder. “We’d best be headed home.” He placed his slouch hat on his head. “See y’all later.”

David followed his father outside, and they climbed up onto the buckboard. Taking the reins, Hiram slapped them against the withers of their big white Percheron.

“Git up, there, Joe Boy,” he commanded. He clucked to the gelding, who lurched, pulling the wagon behind him.

During the ride home, Hiram said very little, which was fine with David, who preferred not to discuss what he knew his father was thinking. One thing was for certain, though. If his father enlisted, so would he.

On March 27, the Huntsville Democrat reported that a company known as the Madison Rifles was being called into service, and a few days later, so were the Huntsville Guards under Captain Egbert Jones. Alabama was preparing for war, and things were heating up. The entire Southern nation was up in arms, waiting for a reason to fight.

The weather grew milder, and soon it was April 2. David went about his farm chores as usual, anticipating with excitement what might be in store for him later on in the day. He saw the family’s hogs, all five of them, wandering around on a nearby hillside, and noticed his father busy at work building a pen.

Curious, he walked over and asked, “Whatcha doin’, Pa?”

“I’m buildin’ a pen for the hogs,” he replied.

“Why?”

“Because I decided they’d be safer penned up.” Hiram pounded several nails as his son watched. Stopping momentarily, he said, “I want you to make sure they stay in this pen, you hear?”

“Yessir.”

“Now go fetch me some more nails, and help me finish it.”

David did as he was told, even though a strange knot formed in the pit of his stomach. His father had never been concerned with confining the livestock before. Instead of prying to find out more information, he dutifully went about his tasks, and when the pen was finished later that afternoon, he rounded up the hogs, with the assistance of his two black-and-tan coonhounds, Si and Caleb. Renegade whinnied from behind the pasture fence the entire time, wanting to come out and frolic with the pigs, but David knew that would only mean trouble. When he was finished, he dragged himself to the well to wash up. Exhausted, he decided to find time for a nap before supper, so he went in through the breezeway of the saddlebag house and entered one of the two doors on the right side of the dwelling to his room. Throwing himself onto his bed, he quickly dozed off.

“Wake up!”

Startled awake, he looked around the room frantically, and saw Josie standing in the doorway, a huge grin on her face. Her long auburn locks hung down past her shoulders, and her hazel eyes glistened.

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Genre – Historical Fiction

Rating – PG13

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Website http://jdrhawkins.com/

Filipa Fonseca Silva – How to Make Your Characters Believable

How to Make Your Characters Believable

by Filipa Fonseca Silva

On both my books readers said that my characters were so real that they know people like them. My “secret” is simple: I imagine every detail in their lives.

If my story is about 40 year-old man, I try to imagine what he was like growing up, what kind of relations he had with his family, who were his friends, his pets, his favorite band. All this stuff defines people’s personality and future decisions.

I addition to that, I try to imagine the characters physiognomy – even if I don’t want to describe the character to the readers in detail, I must have that information in the back of my mind. I give the characters traces of people I know or I’ve seen, so that they become more alive in my head. If it’s hard for you to mix fiction and reality, look for a stranger in a magazine and clip that image.

Bottom line: you must know your characters as well as you know a good old friend.

Vanessa M

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Genre - Contemporary Fiction  

Rating – PG13

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Website http://pipaswonderland.blogspot.com

Wednesday, September 4, 2013

Dermot Davis – How to Write by the Seat of Your Pants: Outline or No?

How to Write by the Seat of Your Pants: Outline or No?

by Dermot Davis

Whereas most writers I know favor one form of writing preparation to another, I tend to differ my approach each time, depending on the project. If I was to do a quick survey of writers I know, however, most, if not all would tell me that they definitely – will always – outline a story before they begin to write the first line of the story. To write without outline, some will tell me, is akin to flying in the dark without radar or any navigable aids to assist you. Not only have you no idea where you are heading – and hence, you could end up anywhere – but you also, just might crash!

Whereas I agree that crashing (presumably, getting so stuck in the story that it becomes impossible to complete) does not sound like a good thing, ending up somewhere that you never intended to go may not be such a bad thing, at all. In fact, it may turn out to be a very good thing. Ending up in some place that you never knew even existed could be downright magical!

Admittedly, sometimes I may just be just being lazy by not outlining a story before I begin and in fairness, I find a lot of pre-preparation of writing a book to be downright boring but that doesn’t take away from extolling the virtues of not outlining a story before you begin to write, proper. Many authors I know will “beat outline” a story in depth and write full biographies of each of the characters that inhabit the story, perhaps even including where they went to kindergarten and what their favorite color is. The beat outline chronicles every scene and twist and turn in the story, right down to length of scene or set piece and covers how each character will change and grow, resulting in their overall “arc” or their final growth resolution.

Whereas I may not go into such detail before every project, I have deeply outlined a story in great detail. Doing so, to me, feels like telling a story with a safety harness attached. It gives a great sense of purpose and direction to the writing and I know that if at any point of the way I may get stuck, I simply study my outline again and I’m back on track. Another wonderful feature of the detailed outline is the fact that you know whether the story you’re going to write works, before you even write it. That’s worth the price of admission, right there. In fact, by outlining the story before you begin is almost like doing the hard work; doing all the heavy lifting first so that the actual writing of the story becomes a breeze. You’ve already figured out the kinks and problems with plot, so you know you’re not wasting any time by writing yourself into any troublesome corners that you can’t get yourself out of.

Writing without an outline – or working with only a very general outline – is a different form of writing that I reserve to the stories that I only have a loose idea about and I want to explore them while I’m writing it. Sometimes I like to surprise myself and in the act of writing itself, I surprise myself often. Many writers have expressed that sometimes the story “writes itself” or characters become almost real and seem to generate their own ideas about where they think the story ought to go. Whereas I might describe outlining as “imposing” personality traits and motives upon my characters, when writing them without outline, they can “come alive” and tell me what their motives are and seem to develop personality traits, all of their own.

In this form of writing, yes, very much you are writing by the seat of your pants and just like the opening analogy of the airplane pilot, you could end up somewhere you didn’t even know you were headed. I have to admonish that writing without outline is a risky proposition and like most risky propositions, you could end up lucky or just plain broke. I have written stories in this way that turned out magical and beyond my own initial creative impulses but I have also ended up with unusable stories that have so much problems with them, it’s not worth my investment in time to fix them and they end up in the proverbial bottom drawer.

How do you decide to outline first or not outline? I would suggest trying it both ways and seeing where your aptitude lies. Only you can answer for sure if flying by the seat of the pants is a worthwhile thrill ride for you. Or not.

Stormy Weather

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Genre - Literary Fiction

Rating – PG

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Website www.dermotdavis.com

How You Leave Texas by Alana Cash

CAMILLE’S NET WORTH

                                       Camille’s 40th birthday was on a Friday. She got her hair trimmed the night before, still preferring to keep it waist-length over Walker’s objections, although he did like it when she wove it in a bun on the nape of her neck like a flamenco dancer. She treated herself to a pedicure at the Asian nail place in a strip mall on Highway 290, skipping the manicure since she thought she had man hands and never wanted to attract attention to them. She went to Highland Mall to buy a new summer dress and a pair of Betsy Johnson sandals that would show off her red toenails.

Camille didn’t like the idea of turning forty. There was no more pretending that she was not an adult. And her life had become too quiet, although she had never been one of those loud women who scream at sporting events or shout across the bar to their friends. Never been the life of the party. Not that Camille was dull, but she’d become a little too steady. She had worked for exactly two companies in her whole life. The art store during college and the job with the mortgage company after that. She had told herself that her job as a bookkeeper was in the meantime, and as soon as she could afford to quit – when the house was paid off or Walker’s business got stabilized – she’d get back to painting.

Walker was the only person Camille had ever had sex with. Their affair started in college, carried on through his years in law school, then they got married, and the sex tapered off. Walker was a bankruptcy attorney, and lately his business was booming, so they were talking about investing in foreclosed commercial property and planned to attend their first real estate auction on Monday.

Walker got home late that Thursday night and brought client files with him. He didn’t notice her hair or her toenails or how much it bothered her to turn forty. Walker just wanted to have dinner in his home office so he could get his work done. While he was eating with the door closed, Camille searched around the house for her birthday gift – every closet and drawer and even the glove box, trunk, and under the seats of his car. When she found nothing, she told herself that he could not possibly have forgotten.

The next morning, Walker was in a rush, and told her, “I’ve got to get these papers filed this morning before meeting a new client.”

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Genre –  Women’s Fiction

Rating – PG13

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Blog http://howyoulovetexas.blogspot.com/